Mold Making Tutorial: Silicone Mold of Clay Sculpture

John Cannon of The Whimsical Gardens brought his clay sculpture to our facility to make a mold of the figure and then reproduce it in plastic on a rotational casting machine. The detailed sculpture is pictured below from different angles.

This article details the steps that we took throughout the mold making and casting process:

Step 1: Select a Mold Making Method & Mold Rubber
Step 2: Construct Mold Box & Prepare Sculpture
Step 3: Measure, Mix & Pour Silicone Mold Rubber
Step 4: Demold
Step 5: Cut the Mold
Step 6: Rotational Casting


Step 1: Select a Mold Making Method & Mold Rubber

Mold Making Method

For this sculpture, we select the “poured block mold” method.

Here are the reasons that we are eliminating other methods:

Brush-on Mold: We are concerned that air bubbles may form in the intricate details on the base of the sculpture. Also, brush-on molds tend to have thick and thin spots – thin spots end up being weak points in the mold.

Poured Blanket Mold: One of the steps in the poured blanket mold process is to form a layer of clay on top of the original model (review a poured blanket mold tutorial here). This step would most likely deform the clay original.

Based on the shape of the sculpture, we also know that the mold will require a cut in order to remove the original sculpture and subsequent castings.

Mold Rubber

For this particular project, we also know that we want to use a silicone mold rubber because it does not require release agent when casting polyurethane resin. Release agent can be difficult to apply in intricate areas and it may be difficult to remove from the casting. Residual release agent can prevent paint from sticking to castings.

Platinum-Cured vs. Tin-Cured Silicone Rubbers

Polytek silicone falls into two general categories: platinum-cured and tin-cured. Basic comparisons between the two options are in the table below:

Rubber Type Advantages Disadvantages Casting Materials Methods
Platinum-Cured Silicone Mold Rubbers
No shrink on cure, cured rubber has long storage life Liquid rubber can suffer from cure inhibition by some materials (e.g., sulfur clay, tin silicones, Bondo, some 3D-printed plastics, latex rubber). Most materials, especially resins, foams and some low-melt metals. Pour, Brush, Spray.
Tin-Cured Silicone Mold Rubbers
No cure inhibition, slightly less expensive than platinum-cured systems Shrinks on cure (~1%), shorter library life (2-5 yrs.) than platinum-cured systems. Most materials, especially resins, foams and some low-melt metals. Can inhibit polyurethane rubber, platinum-cured silicone, and 14-Series Poly-Optic Resin castings. Pour, Brush, Spray.

Platinum-cured silicone rubbers have advantages compared to tin-cured silicone rubbers (e.g., no shrink on cure, longer library life), but can suffer from cure inhibition when exposed to certain materials. Sulfur, for instance, is a known inhibitor and is present in some modeling clays.

We are unsure if John’s sculpture contains sulfur, so we perform a small test cure.

To do the test, we mix and pour a fast-setting platinum silicone rubber (PlatSil® 71-10) into a clay containment area against a small section on the backside of the sculpture.







After 30 minutes, we remove the silicone rubber to determine if it has cured properly. We find that the rubber that touched the sculpture remained gummy while the sides of the rubber exposed to air and clay cured properly. This indicates that there is a contaminate within or on the clay that would prevent any platinum-cured silicone rubber from curing properly.


Based on these findings, we select a tin-cured silicone rubber as the mold material:  TinSil® 80-15 Silicone Rubber. We choose a soft silicone (Shore A15) due to the deep undercuts on the sculpture. A harder rubber could be more difficult to remove without damage.

TinSil 80-15 Silicone Mold Rubber
TinSil 80-15 Silicone Rubber: Specifications
Hardness: Shore A15
Mix Ratio: 1A:10B
Pour Time: 30 Minutes
Mixed Viscosity: 12,000 cP
Demold Time: 24 Hours
Cured Color: Peach
Specific Volume: 25.3 in³/lb

Step 2: Construct Mold Box & Prepare Sculpture

To begin, a plywood mold box is constructed at the proper dimensions (i.e., at least 1″ beyond the sculpture in all directions) and then sealed with petroleum jelly.

NOTE: It is a good idea to taper the inside of the mold box so the mold can be removed more easily when the mold box is turned upside-down.




Pol-Ease® 2500 Release Agent is then applied to the clay sculpture.

NOTE: Use Pol-Ease® 2300 if making a polyurethane rubber mold.




The mold box is placed around the prepared sculpture to verify that the dimensions are suitable.

Put Sculpture in Mold Box

We estimate the amount of rubber needed for the mold with the following calculation:

Volume of Mold Box = ~1,716 in3

Volume of Sculpture = ~84.78 in3

Volume of Mold Box – Volume of Sculpture:  1,716in– 84.78 in3 = 1,631.22 in3

1,631.22 in3 ÷ 23.7 in3/lb (specific volume of TinSil 80-15) = 68.8 lb of TinSil 80-15 Silicone Rubber

Mold Rubber Calculation

68.8 lb is a large amount of rubber and we realize that there is opportunity to reduce that amount by adding corner inserts and other block-outs.

Add Block-Outs to Mold Box-01

We add a number of block-outs, but still maintain at least a 1″ space between the sculpture and mold box walls/block-outs.


Once all of the block-outs are secured, the mold box is removed to seal the new plywood additions with petroleum jelly and caulk all edges with warmed plasticine clay. Caulking the edges helps to prevent leaking when liquid silicone is poured into the mold box later.

Warmed Plasticine Clay
Seal Edges with Plasticine Clay

The sculpture is placed back into the mold box and then the mold box is secured with screws.

Step 3: Measure, Mix & Pour Silicone Mold Rubber

Based on the new dimensions of the mold box, we determine that approximately 40 lb of TinSil 80-15 Silicone Rubber is needed to make the mold.

As mentioned previously, TinSil 80-15 has a mix ratio of 1A:10B. The components are measured by weight and then mixed thoroughly.

NOTE: Do not attempt to measure products with 1A:10B mix ratios by volume – always measure by weight.

Weigh TinSil 80-15 Silicone Rubber

Because of the quantity of rubber needed for this project, we mix two separate batches using a turbo mixer.

Mix with Turbo Mixer

The rubber is mixed until a uniform color is reached.
NOTE: Avoid hitting the sides of the mixing pail with the turbo mixer as this can introduce air into the mixture.

Mixing Silicone Mold Rubber


Mixing Silicone Mold Rubber
Mixing Silicone with Turbo Mixer

The batches are then mixed by hand with a Poly Paddle.
NOTE: It is important to scrape the sides and bottom of the mixing container several times, as this is where unmixed material tends to cling.

Hand Mix Silicone Rubber

The silicone is poured into the lowest point of the mold box and allowed to rise.

Hand Mix Silicone Rubber
Pour Silicone Mold Rubber
Pour Silicone Mold Rubber
Pour Silicone Mold Rubber

The rubber is poured until it reaches at least 1.0″ above the highest point on the sculpture.

Pour Silicone Mold Rubber Over Model

We allow the rubber to cure at room temperature for ~24 hours. Heat lamps can help speed the cure.
NOTE: Demold times vary by product. Check product Technical Bulletins for this information.

Pour 0.5" Over Model


Step 4: Demold

Before demolding, the locations of the mold box walls and block-outs are marked with a pen. This is done so that the mold box can be put back together correctly for casting later. 


Remove Mold Box Walls & Inserts
Remove Mold Box Walls & Clay

All edges of the mold are loosened from the baseboard with a putty knife before the entire mold is removed.

Loosen Edges from Baseboard

Upon removal of the mold from the baseboard, the sculpture splits in half, leaving the top half in the mold.

Part of Model Removed from Mold


Step 5: Cut the Mold

To remove the remainder of the sculpture and subsequent castings, we prepare to make a cut on one side of the mold. Pictures of the sculpture are printed to determine a good location for the cut.

NOTE: If possible, it is best to cut along a line that already exists on the sculpture or in an inconspicuous location (i.e. avoid the face).

Reviewing Photos for Cut

A scalpel is used to make the cut.
NOTE: It is important to create an irregular cut pattern (i.e., tongue and groove or zig-zag cut) so that the two sides align well for casting (for general information on cutting rubber molds, visit this article).

Cutting Silicone Mold with Scalpel


Cutting Silicone Mold with Scalpel
Cutting Silicone Mold with Scalpel
Cutting Silicone Mold with Scalpel

The remainder of the sculpture is removed from the mold and any clay left behind in the mold is cleaned out.

Remove Remainder of Sculpture
Sculpture After Mold Making
Clean Clay from Mold


Step 6: Rotational Casting

The mold is placed back into the mold box and then secured.

Silicone Mold for Sculpture Reproduction


Reassemble Mold Box Around Mold
Secure Mold Box Around Mold

Because we plan to use the rotational casting machine, we create a mold box lid with a pour hole. This hole is where the fast-setting resin is poured once the mold box is on the rotational casting machine.

Create Pour Hole in Mold Box Lid

Wooden bars are added to the sides of the box in order to mount and attach it to the rotational casting machine.

Mold Box for Rotational Casting

A silicone plug will later be used to plug the hole when casting.

Silicone Plug for Rotocasting

The mold box is loaded onto the rotational casting machine and secured with C-Clamps.

Place Mold Box on Rotational Casting Machine
Secure Mold Box with C-Clamps for Rotational Casting

EasyFlo 120 Liquid Plastic is the product that we most often recommend for rotational or slush casting. It is designed to gradually solidify over its working time, as opposed to “snap-set” (like the curing characteristics of EasyFlo 60, another product with the EasyFlo Series). This gradual thickening over the last 30-45 seconds of the working time helps to provide an even coat.

EasyFlo 120 Casting Resin - Polytek


EasyFlo 120 Liquid Plastic: Specifications

Hardness: Shore D65
Mix Ratio: 1A:1B by volume, 100A:90B by weight
Pour Time: 2-2.5 minutes
Mixed Viscosity: 120 cP
Demold Time: 15-30 minutes
Cured Color: White
Specific Volume: 26.9 in³/lb

Approximately 2 lb of EasyFlo 120 is thoroughly mixed and poured into the mold.

NOTE: Ideally, this resin should be mixed and poured in under a minute.

Resin for Rotocasting

The pour hole is plugged with the silicone plug and then the machine is turned on.

Run the Rototational Casting Machine
Rotational Casting - Sculpture Reproduction

After ~30 minutes, the mold is removed from the rotational casting machine and then the casting is removed from the mold.

Plastic Casting - Rotational Casting
Hollow EasyFlo 120 Plastic Casting

For the next run, we mix EasyFlo 120 + Brown PolyColor Dye + Bronze Powder to produce a cold cast bronze copy.

Bronze Powder for Cold Cast Bronze

Here are some photos of the cold cast bronze piece prior to burnishing with steel wool (steel wool is used to expose the bronze powder on the surface of the casting). Initially, castings will appear chocolate brown; you will notice a small spot on his cheek that has been burnished.

Cold Cast Bronze Casting - Sculpture Reproduction


Cold Cast Bronze - Sculpture Detail
EasyFlo 120 Casting Resin - Great Detail
Penny Detail on Casting

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